As the region burns with religious fervor, men and women mounted on horses and carts move through the Peninsula. At the same time, two men inherited a dry plot of land. Coming from the coast, with some seeds left by the former owner, they cross the desert that now serves as their backyard.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
