The Ocean Comes Alive In "The Last House"
The Delgado family becomes trapped in their house by an unknown force and it takes them years to realize what has happened.

Long before Duck Dynasty's Phil Robertson became a reality TV star, he fell in love with Miss Kay and started a family, but his demons threatened to tear their lives apart. Set in the backwoods swamps of 1960s Louisiana, 'The Blind' shares never-before-revealed moments in Phil's life as he seeks to conquer the shame of his past, ultimately finding redemption in an unlikely place. This stunning cinematic journey chronicles the love story that launched a dynasty, the turmoil that nearly brought it crashing down, and the hope that rose from the ashes to create a foundation for generations to come.
The Delgado family becomes trapped in their house by an unknown force and it takes them years to realize what has happened.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.