TIFF ‘22 Coverage: ‘The Fablemans’
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.

After a brutal assault leaves his wife dead and his teenage son traumatized, a single father must battle his grief and the destruction it leaves behind, as the darkness in their home begins to take on a life of its own.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.