What Sinners Gets Right About Family, Fear, and the Fight to Stay Human
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
The Black Viper (1908)
A thug accosts a girl as she leaves her workplace but a man rescues her. The thug vows revenge and, with the help of two friends, attacks the girl and her rescuer again as they're going for a walk. This time they succeed in kidnapping the rescuer. The girl runs home and gets help from several neighbors. They track the ruffians down to a cabin in the mountains where the gang has trapped their victim and set the cabin on fire.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A thug accosts a girl as she leaves her workplace but a man rescues her. The thug vows revenge and, with the help of two friends, attacks the girl and her rescuer again as they're going for a walk. This time they succeed in kidnapping the rescuer. The girl runs home and gets help from several neighbors. They track the ruffians down to a cabin in the mountains where the gang has trapped their victim and set the cabin on fire.
Rating:
Genre:Drama, Crime
Written By:
In Theaters:7/21/1908
Box Office:
Runtime:10 minutes
Studio:American Mutoscope and Biograph Company
Articles You May Like
In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
'Hannah Montana & Miley Cyrus': Fans Get to See the "Best of Both Worlds''
This article will cover why this film is categorized as a documentary and concert film.
“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
Spider-Man: Into The Spider-Verse Tells Us to be Our Own Heroes.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
Hollywood: Netflix Tells the History of Movies That Never Was
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.