We Are Lady Parts Is The Muslim Representation To Keep Your Eyes On
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.

There are three kinds of swindler. One, called the "WHITE SWINDLER", finds a mark and steals money. The "RED SWINDLER" preys on the other sex and steals a mark's body and soul. Then there is the "BLACK SWINDLER". Ignoring ordinary marks, targeting only the white and red swindlers, and preying on their flesh grown fat and corrupt with the money they have stolen, he is the worst of them all. There is a boy who once became a victim of a swindler and lost his family. Later, he turns into the most hideous "black swindler" to deceive only other swindlers. His name is Kurosaki. This time, he is requested by Reiko, whose daughter is sick, to hunt down a swindler named Ishigaki, who has defrauded her of money. But, behind Ishigaki, there is actually a bigger swindle which has even destabilized the Japanese economy…
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.