“The Odyssey” and Moving Forward
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved

From coast to coast, from St. John's, Newfoundland to Vancouver, British Columbia, Jacques Godbout films a documentary chronicle of the political turnaround that was to follow the Meech Lake Accord. Following the Meech referendum, Quebec and Canada found themselves at an impasse after a long and ultimately fruitless negotiation, various social and political actors spoke out. Their comments, linked to film clips on the lives of important Canadian politicians (Sir Georges-Étienne Cartier, John A. Macdonald, Louis-Joseph Papineau...), draw parallels between the speeches of yesterday and those of the post-Meech era.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.