'Blue Beetle': Family over Fanfare
'Blue Beetle' is another solid addition to the superhero film canon.

Five unrelated tales: (1) "The Ravishing Queen" / "La Reina Bella", in which the queen choses a king by devious endurance tests of the pretendants; (2) "The Punished Lovers", in which a fake blind husband is 'cured' after having the culprits banished from the tribe; (3) "The Old Prostitute" who manages to take revenge from all the village dignitaries who wrongfully condemned her brother; (4) "The Endless Search" that does not end until a hunter finds his perfect end-game; (5) "The Crazy Woman" whose illness was not exactly of the mind, but of an (almost) insatiable lust.
'Blue Beetle' is another solid addition to the superhero film canon.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
A story of a magical dragon brings great representation for Chinese culture.