
Rip-roaring rock ‘n roll. In 2005 The Black Crowes played a five night gig at The Fillmore in San Francisco. This appears to be a document of the one night they hooked up with the four-man Left Coast Horns (who apparently had only that afternoon to work out arrangements and rehearse with the band). Did they get it together? Fuckin’ A! You have to love a band that walks out on stage and opens up by kicking every ass in the house with a burner like “(Only) Half Way to Everywhere”.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.