The Biggest Little Farm: The Return (2022)

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.

The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.

The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.

The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?