“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

Writer/director Martin Hynes also stars in this romantic comedy, in which love springs from the ruins of a failed marriage. Frank (Hynes) is a composer who works as a driving instructor to pay his bills. Tracy (Judy Greer) is a New York-born documentary filmmaker who is learning to drive. Soon the two are engaged, much to the astonishment of their friends. At the reception, the marriage gets off to a rocky start when Frank refuses to dance. Later, Tracy's own quirks begin to manifest themselves, such as not sleeping in the same bed as her husband and not wanting to introduce herself as his wife. After three months, they call it quits. But they soon realize that lingering affection remains, and they cautiously try one more time.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.