Against her father’s wishes, the ringmaster Wallner, Helga forms a connection with the wild animal trainer Peter. After he is almost killed during an appearance, he promises his mistress, that he’ll never work with wild animals again. From that point on, he works with Helga on safe horse numbers. When Helga finds out from Peter’s friend Otto, that Peter would rather work with wild animals again, she doesn’t want to stand in the way of her beloved’s dreams. Helga disappears and leaves Otto enough money to buy Peter a new group of lions. For a long time, Peter and Helga do not see one another, though neither can forget the other. When Helga hears from Otto one day, that Peter is practicing a very dangerous number involving wild animals, during which Otto is to play the “lead”, Helga makes a fatal decision, so she might see Peter again.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A Christmas tale that everyone is wishing for, and that everyone will remember.
