A young literature teacher joins an evening technical school where her students - miners, metallurgists, builders and drivers - clash with her literary ideals. To understand them, she visits their families, workplaces and reads their essays on “The Best Person I Know,” learning their hidden struggles and reexamining her own moral judgments.
Lyubomir Sharlandzhiev
Director
Nevena Kokanova
Uchitelkata Nikolina Boneva
Petar Slabakov
Philip Nikolov
Grigor Vachkov
Semo Vlachkov
Sotir Maynolovski
Stoilcho Antov
Vladimir Smirnov
Mihail, saprugat na Nikolina
Pepa Nikolova
Antonia
Dimitar Manchev
Dimitar Indzhezov
Vasil Popiliev
Ivan Dochev
Asen Kisimov
Georgi Nedelchev, vazpitatelyat
Oleg Kovachev
Marian
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.