Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Best Of Jules poster

The Best Of Jules (2011)

Match up the mighty uncut rod of Jules with five other horned-up brothas and its explosive! Marvin Jones has hand-picked these truly amazing mouth and ass stretching scenes caused by the anaconda that belongs to Jules. The guys may have aspirations, or cafeteria eyes when they watch that "thang" grow and grow. The scariest tool on that tool belt is what's hangin' between Jules' thighs! It's gonna be one hell of a struggle...and a "hard sell" for sure, but damn, it's gonna hurt go good!
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Match up the mighty uncut rod of Jules with five other horned-up brothas and its explosive! Marvin Jones has hand-picked these truly amazing mouth and ass stretching scenes caused by the anaconda that belongs to Jules. The guys may have aspirations, or cafeteria eyes when they watch that "thang" grow and grow. The scariest tool on that tool belt is what's hangin' between Jules' thighs! It's gonna be one hell of a struggle...and a "hard sell" for sure, but damn, it's gonna hurt go good!

Rating:
Genre:
Directed By:Marvin Jones
Written By:
In Theaters:10/25/2011
Box Office:

Runtime:88 minutes
Studio:Chocolate Cream, B.C. Productions

Articles You May Like


In Apex, Womanhood Is More Dangerous Than the Wilderness

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space. 

Jo Moses