An absurd law prevents John, an unrecognized child at birth, from knowing the identity of his biological parents before his 100th birthday. To succeed in attracting public opinion, his only hope is to obtain the complicity of Gustavo, the only unrecognized-at-birth centenarian alive. The only one who would have the right to avail himself of this legislation but seems to have no interest in doing so. The Most Beautiful Century of My Life tells of the meeting between a centenarian projected into the future and a young man anchored in the past and of their unexpected friendship.
Alessandro Bardani
Director
Sergio Castellitto
Gustavo Diotallevi
Valerio Lundini
Giovanni Andreasi
Carla Signoris
Gianna
Antonio Zavatteri
Presidente FAeGN
Elena Lander
Alina
Marzio El Moety
Gustavo bambino
Betti Pedrazzi
Suor Grazia
Sandra Milo
Signora J.O.
Matilde Piana
Suor Fermana
Alessandra Fallucchi
Ministra degli Interni
Chiara Davolio
Rosa
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.