Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

Inspired by the traditional Slavic folktale “The Enormous Turnip,” a beetroot grows so huge that no one can pull it from the ground. When a local crane operator is hired to do the job, the giant vegetable turns violent and destructive. As chaos unfolds, an army is mobilized to stop it — but maybe there’s another way to appease this monstrous force... 2D animation, stop-motion, and live action mix together in this wild riff on Japanese kaiju movies.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
A homeless girl faces depression and uncertainty during the holidays.
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.