In the Long Run, the Answer To COVID Hangover.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.

A beautiful widow named Ruriko Omuta visits the Akechi residence and asks Kogoro Akechi to provide her with personal security. Just then, art dealer Yamano is shot dead right before Ruriko’s eyes. Sensing that there is more to the incident than meets the eye, Akechi sets out to investigate on his own. Meanwhile, back in her hometown of Nagasaki, a man named Shigeyuki Satomi—claiming to be a distant relative of Ruriko’s late husband—appears before her. Though Ruriko finds herself drawn to Satomi, she already has a lover named Yoshio Kawamura. What’s more, Kawamura has been involved in a terrible crime alongside Ruriko. Will Akechi be able to uncover their secret? And who is Satomi really?
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.