A Haunting Portrayal of Motherhood in "The Lost Daughter"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

The voices, faces and bodies of the students of the Liceo Artistico Mengaroni in Pesaro embody the characters of two novels by Cesare Pavese, La bella estate and Il diavolo in collina. Seventy years later, the "beautiful summers" of Ginia and Guido, Amelia and Poli, Oreste, Pieretto, are staged by contemporary bodies who read Pavese's words and discover the closeness of the themes addressed by the author to their own experience, feeling the emotions that the staging of some episodes of the two works arouses in them.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
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