The classic Beauty and the Beast tale told with a twist! Isabelle is all beauty - on the outside. When she gets lost on a skiing vacation, she is helped by Jeremy, a man hiding from the world and his past. He's the first person to put Isabelle in her place, and Isabelle realizes she might be more beast than she wants to admit. Through Jeremy's influence she begins to change - and fall in love.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
