Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

As the homeless population of an Ohio town is ravaged by brutal deaths in the dead of winter, city officials turn a blind eye to the violence in the name of squashing panic. With no help from the city in sight, Constance Wilmenson and Sketch Williams make a pact to defend their turf in the name of their forgotten homeless brethren and fight back against the deadly creature… a werewolf.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe