“Hunter”: When Enthusiasm and AI Aren’t Enough for a Coherent Story
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.

Relive the magic of your childhood...swing on a hills hoist, hear Jason and the Argonauts on the radio, taste the warm school milk, smell the chook roasting on Christmas Day and remember the excitement of Saturday arvo pictures. This program brings it all back - the frenzy of rock'n'roll, the terrors of adolescence, cracker night, scooters, hoola hoops, Brylcreem.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
It’s dark, uncomfortable, and there are things that don’t make sense.