Algeria desert, 1961. France just detonated an atomic bomb. A patrol of seven soldiers is sent to ground zero to take samples and measure the current radioactivity. The more they advance, the more they perceive that they are entering a dangerous uncharted territory: the future…
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
As a frequent “the book was better” extoller, this movie was well worth the watch.
