'Hacks' Is Not a Hack…It's Comedic Perfection
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.

In Montréal, Jean-Pierre is fired on the set of a TV commercial where he's an apprentice technician. He's penniless, behind on his rent, with a thin resume and no college units. He has a fiancée, Michelle, but his head is turned by a free-spirited model, from the U.S., who saw him being fired and comes to his flat to apologize. She's Elizabeth, a combination of feckless innocence and sexual freedom. Jean-Pierre borrows money from his outlaw friend, Dock, and buys clothes to impress Elizabeth. Soon he's sleeping with her, and he pulls a theft with Dock to get money to take her to Acapulco. Michelle tries to bring him back to her orbit. Is there a way out for Jean-Pierre?
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.