
Ainsley MacGregor, a former criminologist from Chicago, decides to make a radical change in her life and returns to the quiet Texas town of Sweet River to open an art store. She also begins teaching criminology at a local college. Her quiet life is shattered when a murder occurs at her best friend's winery, and the prime suspect is her friend's husband. Despite her brother, a sheriff, urging her to stay out of the investigation, Ainsley uses her professional skills and the help of her book club to find the real killer.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.