Snow White, Rewritten in a Minor Key
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.