
Against the backdrop of Pakistan's elections, this film follows the rise of powerful cleric Khadim Hussain Rizvi, on a mission to preserve the country's blasphemy laws, which prescribe a mandatory death sentence for disrespecting The Prophet Muhammad (P.B.U.H) and life imprisonment for desecrating the Holy Quran. With millions sympathetic to his goal, Rizvi silences anyone attempting to change the law by condemning them to death. As he pushes for more power, Rizvi decides to run for office in the upcoming general elections, and those accused of blasphemy or those who oppose the blasphemy laws- whether targeted minorities, liberals, and opposing Muslim voices - become the pawns of his ambition.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.