A Colorful Revision of "Clifford the Big Red Dog"
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.

Dasha and Sasha are a happy newlywed. A honeymoon and a parachute jump over the foothills of Mount Elbrus are supposed to be the beginning of their new life. But fate intervenes. The pilot turns out to be Artyom - Dasha's ex, a man she didn't even want to remember. When the plane crashes, the three are forced to jump without training. The lines get tangled. They miraculously survive - but find themselves suspended over a mountain abyss amid raging forest fires. Dasha finds herself between two men, each of whom is tied to her life. One is the present. The other is an unhealed past.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
A homeless girl faces depression and uncertainty during the holidays.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.