Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

A compilation disc in two parts. The first is a collection of 70s television ads called "What The 70s Really Looked Like", curated by Matt McCormick and Morgan Currie. The second part is called "70s Remix" (curated by Craig Baldwin and Noel Lawrence) which features a selection of art films that all make interventions on found footage from the 70s. These films include Matt McCormick's "The Vyrotonin Decision", Thad Povey's "Thine Inward-Looking Eyes", Tony Gault's "Not Too Much Remember", Damon Packard's "Toast 'ems", People Like Us's "We Edit Life" and Animal Charm's "Mark Roth".
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.