What is "Bugonia" Actually Trying to Say?
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.

That's a Good Girl is a 1933 British comedy film directed by Jack Buchanan and starring Buchanan, Elsie Randolph and Dorothy Hyson. The film was based on a musical show of the same title that opened at the Lewisham Hippodrome on 19 March 1928, in which Jack Buchanan also starred. The music was written by Joseph Meyer and Phil Charig, with lyrics by Douglas Furber. The film omitted much of music of the original show, but popularised one song in particular, Fancy our Meeting. The song remained a Jack Buchanan favourite and a version of it was also recorded by Al Bowlly shortly after the film's release.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.