Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

From a fixed point of view, we witness a tense bus ride in Brussels, when Samuel - a Congolese immigrant - gets on to voice his discontent with Europe.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.