In Teta, Alexandra Hidalgo tells the story of her journey nursing her youngest son, Santiago, for twenty-two months. Teta uses Hidalgo’s narration and the footage shot by her husband to portray the ups and downs of nursing a baby as a working mother of two. As the film shows Santiago go from his first nursing session minutes after being born to his last as a walking and talking toddler, Teta illustrates the transcendent emotional bond created by nursing, not only between mother and child but between all members of the family.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
