Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Oregon, 1982. Four teens suspect that a mysterious upcoming screening at their local cinema is the finale of the Star Wars trilogy, only to discover something far more sinister is taking place.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
In Tall Girl, Jodi learns to stand tall and find confidence within.