Garfield the Movie: A Failure in Adapted Characters
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

Eva just enters high school when she meets Ryan, because both belong to a group of student who have a disease during the School Orientation Period. Ryan thinks that Eva is just pretending to be sick like him. An incident makes Ryan take Eva to the hospital and has to be treated. Lupus is the doctor's diagnosis of Eva's disease after a series of tests. Sugiarti and Badarudin, Eva's parents, hesitate to tell Eva about her illness. Her roommate, Dewi, a patient with pancreatic cancer, makes a beautiful friendship. Eva continues to wait for Ryan who does not come again because he is banned by his parents. Dewi also always awaits the presence of her brother, Nanan, who always comes at night when Dewi falls asleep, Nanan is unable to see Dewi suffer. Dewi is devastated when Dewi leaves and Ryan ends their relationship. The same feeling of loss makes Eva and Nanan close.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.