Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Mr. Wong (Michael Hui) is the chief chef in a Teppanyaki restaurant. His overbearing wife and sadistic father-in-law make his home life a misery, so he spends all day dreaming about his dream girl, Sissy (Sally Yeh). When she comes into the restaurant, Wong seizes the opportunity and arranges to take her on a tour of the Paradise Island. Unfortunately, his wife and her friend go with him.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.