TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

You don't play with crocodiles. Two people on a stroll at the end of an night, at the end of the Berlin myth of Prenzlauer Berg: they are sexy, they are young, they are forlorn. It could be a wild summer. There will be two happy days in Berlin. The movie tells the tale of a place, the tale of a love, the tale of longing for a new beginning. More than an extraordinary independent movie, a universal big-city novel which could, without that affectionate local color, take place in every metropolis. Exodus or exitus: 'Tenerife EXIT' plays between and with them both.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.