'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

Brings Shingo face to face against Yagyu Tajima, the Shogun’s fencing instructor in a match that could save a domain near Osaka. Meanwhile Shogun Yoshimune must face a painful decision whether or not he can finally see his son for the first time.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
This Disney Channel Original Movie shows how two different groups can coexist.