PT: Uma jovem jornalista decide entrevistar o misterioso dono de uma loja de antiguidades local sobre o fenômeno Y2K. No entanto, ao entrar na loja, percebe que esta não segue as regras do espaço e do tempo. Objetos de diferentes épocas coexistem, e o enigmático antiquário parece saber mais do que deveria. À medida que a conversa avança, a realidade começa a distorcer, levando-a a questionar se está apenas a reportar uma história ou a tornar-se parte de algo muito maior. EN: A young journalist sets out to interview the mysterious owner of a local antique shop about the Y2K phenomenon. However, as she steps inside, she begins to sense that the shop is not bound by space or time. Objects from different eras coexist, and the enigmatic shopkeeper seems to know more than he should. As the conversation unfolds, reality bends, forcing her to question whether she is merely reporting a story or becoming part of something far greater.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
