‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

A journey through five continents and an impression of the impact of television on peoples of different civilisations.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.