“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

An emotionally-distraught and suicidal woman dials a random telephone number and gets a lonely man on the phone. With pistol in hand, she threatens to kill herself over the phone unless he can talk her out of it within one minute.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Masterful satire that shines a light on the struggles of Black creatives.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.