
A documentary/roadmovie about the trip that Jón Páll and Fjölnir, two of the best tattoo-artists in Iceland, took on motorcycles to the Faroe Islands in the summer of 2009. They opened a tattoo-shop in Klaksvik in the Faroes as a way to get to know the natives and their customs in a more personal and intimate way. They visited the local people, went to festivals and tried Faroen customs. A film about motorcycles, music, tattoos and the Faroes – where Rock’n Roll meets folk traditions!
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.