
In a neighborhood where people live peacefully and quietly, a clew of different relationships will emerge with the arrival of the beautiful Yagmur, who performs her art on the walls of transformers voluntarily to give an incentive for the residents of the neighborhood to appreciate art. Sezen, who is running after Tolga the manly youngster, and Yagmur, who came to the neighborhood in the middle of the legendary love of Huseyin the butcher and Munevver the tailor, were involved in revealing the secrets that everyone has kept for a long time. And Yagmur will find herself as the most precious treasure in Tolga's heart. However, as both Tolga's past full of secrets and Yagmur's childhood wounds come to light, the balance in the neighborhood will begin to change. At the end of these changing balances, the happy ending of the story will arrive with a surprise.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.