Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Tatanka poster

Tatanka 

Michele and Rosario, childhood friends, grow up in Marcianise, a town in Campania where the laws of the Camorra prevail over those of the state. However, the two men have different destinies: Rosario becomes a crime boss, while Michele, after being arrested for murder and released from prison, discovers the world of boxing thanks to his trainer Sabatino (Giorgio Colangeli). Seeking a definitive change of life and emancipation, Michele moves to Berlin, where he is introduced to the underground boxing circuit.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Michele and Rosario, childhood friends, grow up in Marcianise, a town in Campania where the laws of the Camorra prevail over those of the state. However, the two men have different destinies: Rosario becomes a crime boss, while Michele, after being arrested for murder and released from prison, discovers the world of boxing thanks to his trainer Sabatino (Giorgio Colangeli). Seeking a definitive change of life and emancipation, Michele moves to Berlin, where he is introduced to the underground boxing circuit.

Rating:
Genre:Drama, Crime
Directed By:Giuseppe Gagliardi
Written By:Maurizio Braucci, Massimo Gaudioso, Stefano Sardo, Salvatore Sansone, Stefano Sardo, Salvatore Sansone, Massimo Gaudioso, Giuseppe Gagliardi
In Theaters:
Box Office:$260,434
Runtime:100 minutes
Studio:Margherita Film, Gruppo Minerva International, RAI Cinema, MiC, Minerva Pictures

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones