A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

Letícia lies on an ironing board in front of her maid who calmly irons her mistress, clothed, with the same attention to detail as someone who irons out a flat piece of clothing. The artist is calm like an empty suit; she doesn’t move, she doesn’t complain, she simply lies there. She is an ordinary piece of clothing, on any given day. There is no indifference, it is just another task accomplished. In the mistress maid relationship there is no tension, just silent complicity.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
A film about family and sacrifice... and carnivorous locusts coming after you.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.