Tantrik Shakti 

‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.

The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

The trainwreck is hot but tame.

The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.