Film in four episodes, inspired by the chronicle of the time: three mature sisters give themselves to a stranger, Maria tries to escape her husband, two Bolognese spouses quarrel and do not realize that the civil war has broken out, a Neapolitan fan scandalizes a first class compartment ..
Vittorio Sindoni
Director
Luciano Salce
Dino / Amilcare Severi
Valentina Cortese
Wilma/Leonilde Bosco Casagrande
Macha Méril
Vera
Orchidea De Santis
sorella di Vilma e Vera
Fiorenzo Fiorentini
amico di Dino/Oreste
Attilio Cucari
il commissario / l maresciallo dei carabinieri / il prete
Franca Valeri
Maria
Walter Chiari
Teodoro Casadei
Stefano Satta Flores
tifoso del Napoli
John Stacy
Don Alfredo
Cecilia Polizzi
Mariangela Curti Rava
A fun-loving story focused on surviving middle school and tailor-made for its target audience. "The Diary of a Wimpy Kid" follows the paradox of finding true friendship and securing popularity no matter what it takes.
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.