'Spiderhead': Netflix's Newest Underwhelming High-Concept Sci-fi Thriller
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio

Hasyim is a former volunteer from confrontation between Indonesia-Malaysia in 1965. After his beloved wife died, he decided not to marry and live with his only son Haris and Haris's children named Salman and Salina. Living on the border of Indonesia-Malaysia makes its own problems. Border communities have to struggle desperately to keep their lives including Hashim's family, but fidelity and loyalty to the nation make Hashim stay. Beside that, Haris chose to live in Malaysia because he thinks Malaysia is much more promising for the future. He also intends to invite the whole family moved. What happened to Hasyim's family?
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
This reboot of The Wonder Years is told from the lens of a Black man.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Emily and Stephanie are back... just add gin and drama.