Four teenagers on a road trip decide to take a detour and find them selves at at haunted house halloween scream park deep in the woods of southern Kentucky. After witnessing an assortment of torture and gore. they start wondering if what they are experiencing is not a little too realistic. Before they know it each one of hem is captured and made part of the horrific attraction they originally thought was all fun and games.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
'Brother' is a gripping family drama with dazzling performances all around.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
