Lindsay Lohan's Comeback in 'Falling for Christmas'
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.

Both a prescient and timely artistic documentary. Filmed solo, it spans multiple sites across the world to form a polyvocal, mythopoetic film about the censorship of books, destruction of libraries, assaults on knowledge and free press, and the loss of languages in embattled communities. Like leaves of an enduring tree, the voices of multiple people and their actions demonstrate the persistent value and power of books, archives, shadow and pirate libraries as vehicles of resistance.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.