"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Two women become increasingly desperate to capture photos of their perfect brunch. In the end, it's not their followers who will consume their "content."
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.