"TALES FROM STRANGERVILLE" is a 2020 machinima created in The Sims 4 and directed by Alvin Soprano and Harley Coleman. Serving as a sequel to the creator's first machinima, "SOMETHING STRANGE IN STRANGETOWN" (2007), the film continues the story of an unnamed protagonist who was abducted by a mysterious light. Now named Lavinia, she is dropped into the technologically advanced desert town of StrangerVille with no memory of what transpired. The film follows Lavinia as she teams up with George Cahill and Erwin Pries to investigate the source of a mysterious, disembodied voice only she can hear. Their search for answers leads them to a classified government lab at the heart of the town’s strange occurrences, where they must confront the truth behind the town’s bizarre infection and Lavinia’s own past.
Harley Coleman, Alvin Soprano
Director
Alvin Soprano
Lavinia
Adara Pemberton
The Mother
Aaron Landon Jackson
George Cahill
Victorius Kingston
Erwin Pries
Anouska Leigh
Jess Sigworth
Jakob William Chambers
Dylan Sigworth
Belinda Soprano
Christie Sigworth
Gianna Romanov
Meredith Roswell
Silvio Castiglione
Ted Roswell
Irene Osmund
Alice Martin
Seda Uzun
Leslie Holland
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.