Three stories of lives of vehicles. First is about the bus, who considered himself a humorist but in fact only upset and offended people with his clumsy mischief. As a result, the passengers were able to explain him that it was necessary to respect others and not to cause them harm. The second tractor was about a young tractor with no experience, and the third is about a small motor scooter.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
